Work Cited

WTF?

I  had an experience in the last week that feels like the burning pain of bleach going through my veins(hyperbole practice).  Somebody took something of mine manipulated it, and grew it into something more.  Usually I am happy about that as it is part of creating for the world and the evolution of thought.  We want our creations to grow beyond what we initially planned, with one caveat - citation or credit.

In my life as a scientist/teacher/student, I've written the most boring, dry articles about important stuff.  One key point my fourth grade teacher, Mrs. Romaine, taught us during book reports was writing the bibliography of my sources.  In college, Dr. Haddad drilled into our heads (appropriate for a behaviorist professor) the APA Style for citing sources.  Twenty-two years later, I still know where to place every period and comma.  It came in handy when I wrote my master's thesis.

It is crucial to cite sources and material in art and criticism as well.  If I am writing a critique on Diane Arbus and read an article on how her depression affected her subject matter, I had better cite that source.   I believe the same is true when art is appropriated for new purposes.

Some of Shepard Fairey's troubles for his famous Hope image of President Obama stem from appropriating an AP image as the basis of his this piece without citing the source of the original image.  He went on to selling the image on merchandise and making lots of money from it.

There

I am a big fan of appropriating art and growing it past the original piece.  In 2004, my friend Scott Tellington over at photosig.com took the image of Leila and Hana above and a few others and told me he wanted to play with them.  As long he didn't do anything to malign the image and gave me credit, I was happy to let him do it.   He made the combined image below.  Even though he went in a direction I would not have gone, I am happy with his work and the credit for the source image.

The Petals of the Passion Flower

In yesterday's post, I uploaded a video featuring a song I appropriated by Lucinda Williams, Just in Time.  This song has a very sensual erotic sound and lyrics that I felt matched the photos I paired with it.  At the end of the song, I cited her as the source of the music.  Since I do not plan to make money from that video I feel it is fair to use it in that way.  If Ms. Williams, or her representatives, don't like it, I will work with them to a mutually satisfactory conclusion.  That is just being respectful to another artist.

Another time I appropriated another artist's work are my photos of the projection of Salvador Dali's Dream Inspired By A Bee Flying Around A Pomegranate A Second Before Waking Up on art model, Candace Nirvana.  Whenever I display this image, I mention Dali's title or provide a link to my blog post introducing this series to give him credit for his role in my piece.  I hope Dali would approve of my appropriation of his beautiful piece.


I admit to not always citing my sources in this blog, especially for images I posted in the beginning of it.  I tried to put "source unknown" if I could not find the photographer/artist/author/creator's information.  In hindsight, I am going to review this policy to see if I should err on the side of caution and remove them until I can find the source.Dali and Nirvana 4

Now, back to why am I feeling like a victim of theft.  To the artist who appropriated something of mine, knowing it was mine, and evolved/refined it much further,  I am not upset by your appropriation and use.  It is actually a very good piece of work.  Just give me credit for the seed that bloomed for you.